Lead pencil study of the Venus de Milo
Aphrodite of Milos (Greek: Αφροδίτη της Μήλου, Aphroditē tēs Mēlou), better known as the Venus de Milo, one of the most famous works of ancient Greek sculpture. Created some time between 130 and 100 BC, it is believed to depict Aphrodite (Venus to the Romans) the Greek goddess of love and beauty. It is a marble sculpture, slightly larger than life size at 203 cm (6 ft 8 in) high. Its arms and original plinth have been lost. From an inscription that was on its plinth, it is thought to be the work of Alexandros of Antioch; it was earlier mistakenly attributed to the master sculptor Praxiteles. It is at present on display at the Louvre Museum in Paris.
Aphrodite of Milos (Greek: Αφροδίτη της Μήλου, Aphroditē tēs Mēlou), better known as the Venus de Milo, one of the most famous works of ancient Greek sculpture. Created some time between 130 and 100 BC, it is believed to depict Aphrodite (Venus to the Romans) the Greek goddess of love and beauty. It is a marble sculpture, slightly larger than life size at 203 cm (6 ft 8 in) high. Its arms and original plinth have been lost. From an inscription that was on its plinth, it is thought to be the work of Alexandros of Antioch; it was earlier mistakenly attributed to the master sculptor Praxiteles. It is at present on display at the Louvre Museum in Paris.
Famed for her missing arms, I have always wondered if she was actually playing the banjo.
In all seriousness, archeologists and art historians believe her right arm extended across her torso, her hand resting on her left knee, as if holding up her drapery. The left arm was holding an apple at roughly eye level.
Not every apple will keep the doctor away, least of all a marble one; but aside from her missing arms old father time has been pretty kind to her.
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